Ixmucané Aguilar

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Fraitaxtsēs sores tsîn ge ra≠gâ
Ondjembo yo Null Vier
 
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© 2022 Ixmucané Aguilar
National Art Gallery of Namibia
130 Portaits suspended in a half-circle arrangement,
presented within double-sided metal frames.
Curated by Tristan Pranyko






Fraitaxtsēs sores tsîn ge ra≠gâ
Even Friday’s Sun Sets


Ondjembo yo Null Vier

The Gun of Null Vier


Genocide in Namibia is an especially sensitive matter—its history has at times been ignored, underestimated, or even denied outright.

In the artistic documentary Fraitaxtsēs sores tsîn ge ra≠gâ - Ondjembo yo Null Vier, I worked in close collaboration with Nama and OvaHerero people who vividly evoke memories and rituals of mourning caused by human loss and land dispossession under Imperial Germany’s colonization.

From these personal encounters emerge portraits, visuals and narratives as documental fragments, consisting of living voices which insist on defending memory as an invocation to witness and never to remain passive in the face of social injustice.

Rather than a linear collection of data referring to distant places and its distant past, this work engages with stories as chronicles calling to be recognised as pieces of humanity and time.

Beyond the image lies the reality,

beyond the portraits stands the human,

and beyond all the words is wisdom.