Fraitaxtsēs sores tsîn ge ra≠gâ Even Friday’s Sun Sets
Ondjembo yo Null Vier
The Gun of Null Vier
Genocide in Namibia is an especially sensitive matter—its history has at times been ignored, underestimated, or even denied outright.
In the artistic documentary Fraitaxtsēs sores tsîn ge ra≠gâ - Ondjembo yo Null Vier, I worked in close collaboration with Nama and OvaHerero people who vividly evoke memories and rituals of mourning caused by human loss and land dispossession under Imperial Germany’s violent occupation.
From these personal encounters emerge portraits, visuals and narratives as documental fragments, consisting of living voices which insist on defending memory as an invocation to witness and never to remain passive in the face of social injustice.
Rather than a linear collection of data referring to distant places and its distant past, this work engages with stories as chronicles calling to be recognised as pieces of humanity and time.